Boryana Rossa is an interdisciplinary artist and curator who works in the fields of electronic arts, film, video, performance and photography. Most of Rossa’s performances and other works have been shown internationally at venues such as steirischer herbst, Graz; National Gallery of Fine Arts, Sofia; 1st Balkan Biennale, Thesaloniki; Kunstwerke and Akademie der Kunste, Berlin; The 1st and 2nd Moscow Biennial For Contemporary Art; Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, NY; Museum of Contemporary Art (MUMOK) Vienna; Zacheta Gallery, Warsaw; Sofia City Art Gallery; Institute of Contemporary Art, Sofia; Exit Art, NY, Sofia Arsenal – Museum of Contemporary Art (SAMCA), Sofia. In 2004 together with the Russian artist and film maker Oleg Mavromatti, Rossa establishes UTRAFUTURO–an international group of artists engaged with issues of technology, science and their social implications. Works by ULTRAFUTURO have been included in the Biennial for Electronic Art, Perth (BEAP) and shown at Foundation for Art and Creative Technologies (FACT), Liverpool; Society for Art and Technology (SAT), Montreal. Rossa and Mavromatti performed also as ULTRAFUTURO in Trickster Theatre, Exit Art, NY between 2006-09. In 2012 Rossa has finished her PhD on Post Cold -War Gender Performances. Cross-cultural examination of gender representations viewed through Soviet, Russian and Bulgarian film re-enactments, in the Department of Arts, at Rensselaer, Troy, NY. She also holds the prestigious award Essential Reading for Art Writers of the Institute of Contemporary Art (ICA, Sofia) for 2008. Her works are in numerous public and private collections among which as Kontakt. The Art Collection of Erste Bank-Group, Sofia City Art Gallery, SAMCA and others. She is also curator of Sofia Queer Forum, first held in 2012 in Sofia. Her performances and videos have been included in international art archives such as the performing art archive re.act.feminism and Transitland Video Art from Central and Eastern Europe 1989-2009 and in private and public collections such as Kontakt. Art Collection Erste Group/ERSTE Foundation, Brooklyn Museum, Elizabeth A. Sackler Center for Feminist Art, Sofia City Art Gallery and SAMCA, Sofia . She published her texts in newspapers like Kultura Weekly, 39 Grama, n.paradoxa and others.
Recently she completed a residency for the research and development of the bio-art project “The Mirror or Faith” related to genetic predisposition of spirituality. This project is a collaboration with the biologysts Dr. Michael Edel, University of Barcelona as part of the Grid Spinoza program, funded by the European Commission.